Today I went to the temple to do some of the work for my grandfather who passed away last year. And, during the presentation of the Endowment, it came to me that I missed some things I really should have put into that last post. So here they are, in no order of importance.
It could be from my belief that he is completely unnecessary in the beginnings of a world, but I managed to all together forget this character existed in the presentation when I wrote the last post. We’ve had all kinds, from almost operatic to smarmy to truly icky. The method of acting doesn’t bother me too much (though the icky one just seems wrong), but this was a really difficult decision on how to cast from a nationality. How to you pick one without feeding into stereotypical views on how “evil” a particular nationality can be? This would matter less as more versions are made, but for the first, this is my choice.
Heavenly Mother: Ukraine
Yes, I know this is not a part in the current endowment presentation. The Church has recently affirmed Her as part of our doctrine, and in making use of the word Elohim (meaning Gods, not necessarily a single person) I think we should add this role, giving her half of the lines given for Heavenly Father. Which lines would not matter as they would all be coming from God. There could even be given different lines from presentation to presentation. It would be important in teaching that the Two are truly One, as we believe out Heavenly Parents to be.
Music: China, Kenya, and Ireland
People rarely think of the music used as background in these films. Part of it I think has to do with the rut we’ve gotten ourselves into with regards to music that conveys “spirituality”. It really hasn’t changed much since the media used in the 1980’s. A lot of chords in high strings with some keening solo by an oboe or french horn. A lot of suspensions resolving into major chords. It’s become practically Pavlovian, giving the signal that what is being shown is something spiritual. Surely we can add to the presentation without overwhelming it using music from other traditions.
The Temple is such an important part of our religion. We have heard many time about how we should learn something every time we go. I think one of the best ways to do this is to increase the diversity in the presentation made. Let’s wake up those who can go through it just marking time and give better opportunities for the Spirit to teach what they need to know.